Finished at
last! After another week of work, I can now reveal the end result
of my endeavours - the completed painting. However, before I sign
off this painting diary, there is one topic I have neglected to
mention over the past weeks - the Inn signs.
You may have
noticed on the initial sketch that I showed a cut out shoe, indicating
a cordwainer's shop. However, pictorial evidence backing up this
idea was not forthcoming and I was worried that the sign might
end up not looking particularly medieval - more like a Graham
Turner cartoon shoe! I had done some research into shop signs
when I painted the 'Battle of St. Albans', but not wanting to
use the same signs again narrowed the choice somewhat.

Click
image to enlarge |
Inn signs
are a little easier to find in contemporary illustrations, most
appearing to be painted square boards. When I was going through
a selection of Inn names recorded in accounts of the period, I
was initially drawn to 'The Sun' - because this alludes to Edward
IV's badge of the 'Sun in Splendour'. However, 'The Bear' really
attracted my attention - 'The Bear and Ragged Staff' being the
badge of the Earl of Warwick, 'The Kingmaker', who would die fighting
Edward's army at Barnet three days later. As I painted the sign,
it also seemed appropriate that it should be rather shabby and
in need of a re-paint - perhaps a new name for the Inn would be
deemed wise after the events of the coming weeks. All these thoughts
stemmed from a recollection of a story concerning the Inn Richard
III stayed at before the battle of Bosworth. Called 'The White
Boar' (which was Richard's badge) the Inn was renamed 'The Blue
Boar' after his defeat by Henry Tudor.
On the right
hand side of the street is an ale stake - indicating a fresh brew
of ale (good timing, with a thirsty army arriving in the city).
There are many references to branches and even whole bushes being
hung over the street for this purpose. A number of illustrations
depict what look like brooms stuck out of windows but I came across
a 15th century picture showing an Inn with what is unmistakably
a (rather sparse) wreath hung over the end of a pole. This is
what I have chosen to show.

Click
image to enlarge |
The other
two images in this week's update give close ups of the store and
foreground horseman. I hope they give a better indication of some
of the details I have included in the painting - despite the limitations
of computer monitor resolution.
This painting
has now been reproduced as a Limited Edition Print entitled 'The
Arrivall' (after the chronicle of Edward IV's reclamation of the
throne in 1471 - written soon after the battles of Barnet and
Tewkesbury) - see the main Studio 88 website for details.

Click
image to enlarge |
I hope you
have enjoyed following my progress through this diary and that
it has provided some insight into the stages my paintings go through
before you normally get to see them. I will be very pleased to
hear any comments you might have, so please email me through Studio
88 so that I know whether or not to follow this with similar features
in the future -
info@studio88.co.uk
Return
to Introduction
Back
to Week 4